Today I caught the last moments of a Terry Gross interview on NPR. In it, she was speaking with Jack Miles, general editor of The Norton Anthology Of World Religions and professor of English and religious studies at the University of California, Irvine. He is also the author of God: A Biography, for which he won a Pulitzer Prize in 1996. What I heard was of great interest, but most interesting of all was a seeming throwaway line I might have missed had I not gone back to read an online transcript of the discussion and reflect on what had been said.
“I have no confidence that the world [awaiting] us — given global warming, given the threat to the human habitat — is a world of ever-increasing knowledge…,” says Miles. “We may be at a peak now from which we will decline. Who knows?”
I think I can honestly say it never occurred to me that human beings would stop evolving; in fact, I have often taken comfort in the belief that we could grow out of our smallnesses and stupidities to become the enlightened band of sisters and brothers we were meant to be. But one glance at the day’s headlines, and I have to wonder if we are, in fact, on a slow, steady slide downward.
Tomorrow it will be three years since I wrote my first blog post. To celebrate, and as a way of offering you my gratitude for reading and supporting my work, I thought I’d unearth and reprint “The hay who wore a toupée,” one of the pieces I wrote in January 2012:
When I was a child, I think I thought that words were more reliable than grown-ups but not as important as horses. Grown-ups were always gone or leaving, but words were right where you left them. Horses were passion, though, and nothing trumps passion. Just as I can’t remember a time when I was read to I can’t remember a time when I did not read. Any words would do so long as they were companion enough. I especially loved stories of young girls with a heap of derring-do. My favorite was Ginny Gordon and the Lending Library, and I smile now to think of the reason. At such a young age I couldn’t possibly have understood why a mystery novel about a grown-up who keeps trying to steal a book would have taken me so completely. Probably as soon as I mastered cursive I wrote my first poem. This is how it went: On a bright sunny day/he galloped away/his mouth full of hay/wearing a toupée.
Earlier, I sat down to write a poem for you about the new year, but an hour or so into the process I realized it wasn’t going to be very good. It felt stiff, contrived, and I knew I should scrap it. I’ve never been able to create on command, and I’m always surprised by where the mysterious act of creation takes me — whether I’m writing a poem from thin air or drawing an actual tree in front of me.
From the time I was very small, people have had all kinds of advice about what and how I should write. “Write about what you know,” some have said. “Write about what you don’t know,” a few others have suggested. Upon reading a novel I wrote years back, my brother asked, “Can’t you be a little more cheerful?”
Well, no, I can’t cajole myself into being upbeat. Whatever emerges almost always appears to have its own heart and mind, while I just seem to get taken along for the ride. But, if I could will myself to write something meaningful for you about 2015, it might have some of these sentiments in it: evolve; love yourself and others; live authentically and simply; be kind (or at least stop being unkind, as a friend of mine says); be honest; surround yourself with people who genuinely care about you. Leave suffering and unrequited longing behind you, if you can.