The other day my colleagues were talking about the difficulty they have discussing sex with their male clients. The reasons for this shyness with the “emerging adults” in our program are complex, but, to illustrate the complexity, I told them about an experience I had had just the day before.
My supervisor, whom I adore (I realize this point is apropos of nothing), and my counterpart at work were discussing the sister of one of our young men when I blurted, “She’s, uh, with child, isn’t she?” Had I wanted to sound any more like a character straight out of “The Monk’s Tale,” I might have asked, “Hath she child in womb?”
We laughed heartily when I said, “I don’t know why I couldn’t just come out and say the word p-p-p-pregnant,” but later I reflected on my embarrassment (interestingly, in Spanish the word for “pregnant” is embarazada). I realized I had never been comfortable using that word because the “preg” part of it conjures for me the act of a man impregnating a woman — as in putting his (p word) in her (v word) and depositing his (s word). So asking flat out if the woman being discussed was pregnant also could have suggested that I might have had intimate knowledge of how she came to be with child in the first place.
love is a lunatic aunt
come down from the Bronx to
rant about her maybe baby
and prophesy calamity
he some dark eyed
and need him
on the side
with they aye papi way
he gonna kill me
dead that one
and snuff these holy flame
gonna do miss mujerzuela
so as give him nena pain
lo siento sobrina but
you don’t got no chance
I just thrown the lovers’ tarot
and seen trouble with romance
first I pull the tower then
the devil after that so I think
you better go mami
before you too much fat
* llamas gemelas = “twin flames”
I’m a big fan of Joss Stone, the 27-year-old English singer/songwriter whose music more than tips a hat to the likes of Aretha, Dusty, and Janis but whose bluesy soulfulness is uniquely her own. I’m mesmerized by her sound, which recalls the music of my childhood, and by the barefooted, flower-in-the-hair performances that take me back to my hippie youth, such as it was.
For a while, though, I didn’t even know Joss Stone was a singer because I first saw her in Showtime’s The Tudors, where, during seasons three and four, she was cast as Anne of Cleaves, the fourth wife of King Henry VIII — who cruelly contrived to get rid of her because he found her unattractive. (“I like her not!” bellows actor Jonathan Rhys Meyers’s King Henry to anyone who will listen.) Hers was such a poignant, understated performance that I couldn’t have imagined such a sexy singer would be hiding beneath the dull, thick costumes.
Sexy, indeed! “But not slutty,” as one man pointed out in a comment he posted on YouTube — a comment that has me thinking about what it means for a woman to be just enough sexy. It’s that Virgin Mary/Mary Magdalene thing, the angel/whore split that dogs our collective unconscious and confuses even the best of men.
Something I read today on Facebook from Jeff Brown:
“Sometimes people walk away from love because it is so beautiful that it terrifies them. Sometimes they leave because the connection shines a bright light on their dark places and they are not ready to work them through. Sometimes they run away because they are not developmentally prepared to merge with another — they have more individuation work to do first. Sometimes they take off because love is not a priority in their lives — they have another path and purpose to walk first. Sometimes they end it because they prefer a relationship that is more practical than conscious, one that does not threaten the ways that they organize reality. Because so many of us carry shame, we have a tendency to personalize love’s leavings, triggered by the rejection and feelings of abandonment. But this is not always true. Sometimes it has nothing to do with us. Sometimes the one who leaves is just not ready to hold it safe. Sometimes they know something we don’t — they know their limits at that moment in time. Real love is no easy path — readiness is everything. May we grieve loss without personalizing it. May we learn to love ourselves in the absence of the lover.”